Thursday, October 31, 2019

Thursday, October 31, 2019 — DT 29035 (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29035
Publication Date in The Daily Telegraph
Friday, April 26, 2019
Setter
Giovanni (Don Manley)
Link to Full Review
Big Dave's Crossword Blog [DT 29035]
Big Dave's Crossword Blog Review Written By
Deep Threat
BD Rating
Difficulty - ★★★ Enjoyment - ★★★

Wednesday, October 30, 2019

Wednesday, October 30, 2019 — DT 29034 (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29034
Publication Date in The Daily Telegraph
Thursday, April 25, 2019
Setter
RayT (Ray Terrell)
Link to Full Review
Big Dave's Crossword Blog [DT 29034]
Big Dave's Crossword Blog Review Written By
Kath
BD Rating
Difficulty - ★★★ Enjoyment - ★★★★

Tuesday, October 29, 2019

Tuesday, October 29, 2019 — DT 29033 (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29033
Publication Date in The Daily Telegraph
Wednesday, April 24, 2019
Setter
Jay (Jeremy Mutch)
Link to Full Review
Big Dave's Crossword Blog [DT 29033]
Big Dave's Crossword Blog Review Written By
2Kiwis
BD Rating
Difficulty - ★★★ Enjoyment - ★★★★

Monday, October 28, 2019

Monday, October 28, 2019 — DT 29032 (Published Saturday, October 26, 2019) (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29032
Publication Date in The Daily Telegraph
Tuesday, April 23, 2019
Setter
Unknown
Link to Full Review
Big Dave's Crossword Blog [DT 29032]
Big Dave's Crossword Blog Review Written By
Mr K
BD Rating
Difficulty - ★★★ Enjoyment - ★★★
Notes
This puzzle appears on the Monday Diversions page in the Saturday, October 26, 2019 edition of the National Post.

Saturday, October 26, 2019

Saturday, October 26, 2019 — Leading Ladies of Canadian Film

Introduction

Today's puzzle from Cox & Rathvon focuses on a pair of female Canadian filmmakers.

I invite you to leave a comment to let us know how you fared with the puzzle.

Solution to Today's Puzzle

Falcon's Experience
┌────┬────┬────┬────┬────┬────┬────┐
███████████████████████████████████
└────┴────┴────┴────┴────┴────┴────┘
Legend:
- solved without assistance
- incorrect prior to use of puzzle solving tools
- solved with assistance from puzzle solving tools
- solved with aid of checking letters provided by puzzle solving tools
- solved but without fully parsing the clue
- yet to be solved

Click here for an explanation of conventions and symbols used in explaining the parsing of clues.


The purpose of this article is to explain the conventions and symbols that I use on this blog in explaining the parsing of clues.

Legend:

The following symbols are used in reviews:
  • "*" anagram
  • "~" sounds like
  • "<" indicates that the preceding letters are reversed
  • "( )" encloses contained letters
  • "_" replaces letters that have been deleted
  • "†" indicates that the word is present in the clue

The review of a clue takes the following general structure:

#a/d   Clue containing parsing markup (num*)

* num = numeration

Explanations pertaining to the wordplay (or first definition in a double definition)

(Horizontal separator)


Explanations pertaining to the definition (or second definition in a double definition) and solution.

Explanatory Box
An explanatory box provides additional information about the clue. In most cases this information will not necessarily help in solving the clue but provides information about the clue. In the case of the weekday syndicated Daily Telegraph puzzles, such information is often intended to help the North American solver appreciate how the clue may be perceived by a British solver. These boxes may also provide information on people, places, films, television program, works of art and literature, etc. mentioned in the clue.

Although the titles of these boxes will usually be drawn from a standard list, I do occasionally throw in a title specifically suggested by the subject at hand. The standard titles include:
  • Scratching the Surface - an explanation of the surface reading of the clue
  • Delving Deeper - in-depth information pertaining to a subject mentioned in an explanation
  • The Story Behind the Picture - for weekday puzzles, information about an illustration found on Big Dave's Crossword Blog
  • What did he/she/they say? - for weekday puzzles, an explanation of a remark made in a review or comment on Big Dave's Crossword Blog
  • What are they talking about? - for weekday puzzles, an explanation of a discussion on Big Dave's Crossword Blog
One box that may provide information that could prove helpful in solving the clue is the following:
  • Here and There - for weekday puzzles, discusses words whose British meaning differs from their North American meaning

Note that there are many types of cryptic crossword clue and it is not my intention to exhaustively go through all of them here. I will only deal with clue types to the extent necessary to explain the conventions and symbols used on the blog. Furthermore, be aware that, in the world of cryptic crosswords, there seems to be an exception to every rule.

With one exception that I can think of, cryptic crossword clues provide two routes to the solution. These are commonly referred to as the definition and wordplay. While these terms serve well for most clues, there are some cases where the more formal terms of primary indication and subsidiary indication may be more appropriate.

Most cryptic crossword clues consist of a definition (primary indication) and wordplay (subsidiary indication). The definition may be:
  • a "precise definition": a definition that is either taken directly from a dictionary or at least phrased in a non-misleading fashion similar to one that would be found in a dictionary
  • a "cryptic definition": a definition misleadingly phrased so as to misdirect the solver either with respect to the meaning of the definition as a whole or to an incorrect sense of a word used in the definition (for example, defining topiary as "clip art")
  • a "whimsical definition": a definition "invented" by the setter often by extrapolating a non-existent meaning for a word from a similar word (for example, defining a bird as a "winger" [something possessing wings] or a river as a ''flower" [something that flows] or to extrapolate that, since disembowel means 'to remove the innards of ', that discontent must mean 'to remove the contents of')
  • a "definition by example": the presence of one of these is often flagged with a question mark (for example, defining atoll as "coral?" where an atoll is but one form that coral may take).
The only type of clue that I can think of where there are not two ways of finding the solution are those in which the entire clue is a cryptic definition.
I identify precise definitions by marking them with a solid underline in the clue and other varieties of definition (such as cryptic definitions, whimsical definitions, definitions by example, etc.) by marking them with a dotted underline.
In clues in which both definition and wordplay are present, the two parts of the clue combine to provide an overall meaningful statement (the surface reading) which usually bears no relationship to the underlying cryptic reading of the clue. In some cases, an extra word or phrase will be inserted into the clue to create a meaningful link between the definition and wordplay. I define clues which contain such a link word or link phrase as having an explicit link and clues which contain no link word or link phrase as having an implicit link.
I mark the existence of an explicit link by enclosing the link word or link phrase between forward slashes (/link/) and mark the existence of an implicit link with double forward slashes (//) positioned between the definition and wordplay.
Examples

A few examples may help to illustrate these points more clearly.

The first example is a clue used by Jay in DT 28573:

  • 4d   Fellow left work // a failure (4)
Here the definition is "a failure" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as F (fellow; abbrev.) + L (left; abbrev.) + OP (work; abbrev. used in music) which gives us the solution F|L|OP. The double forward slashes (//) between the definition and wordplay indicate the existence of an "implicit link" between the two parts of the clue (that is, no extra words are inserted into the clue to form the link).

The second example is a clue used by Giovanni in DT 28575:
  • 29a   Female going to match // travels with mother in advance (10)
Here the definition "female going to match" is cryptic (the setter is attempting to misdirect our thoughts to a sports event rather than a marriage ceremony) and thus is marked with a a dotted underline. The wordplay is {RIDES (travels) + (with) MA (mother)} contained in (in) BID (advance) giving us the solution B(RIDES|MA)ID. As in the first example, the double forward slashes indicate the presence of an implicit link.

The third example is a clue used by Rufus is DT 28583:
  • 18d   Knight caught by misplaced big blow /is/ staggering (8)
Here the definition is "staggering" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as N ([chess symbol for] knight) contained in (caught in) an anagram (misplaced) of BIG BLOW producing the solution WOBBLI(N)G. Finally, forward slashes mark the link word (/is/).
I also use distinctive underlining to mark &lit.[7] and semi-&lit. clues. Note that the reviewers on Big Dave's Crossword Blog generally prefer to refer to these clue types by the less pretentious names of all-in-one or semi-all-in-one clues respectively.

In an &lit. clue[7] (or all-in-one clue) the entire clue provides not only the definition (when read one way), but under a different interpretation also serves as the wordplay.
In future, I will mark such clues with a combined solid and dashed underline. Although this is a departure from past practice, it would seem to make more sense than using a dotted underline as I have in the past). Henceforth, the dotted underline will be reserved for cryptic definitions.
In a semi-&lit. clue (or semi-all-in-one clue), either:
  • the entire clue acts as the definition while a portion of the clue provides the wordplay; or
  • the entire clue acts as the wordplay while a portion of the clue provides the definition.
For these clues, I will mark the definition with a solid underline and the wordplay with a  dashed underline. This means that a portion of the clue may have a solid underline, a portion of the clue may have a dashed underline and a portion of the clue may have a combined solid and dashed underline.
One final clue type is what I characterize as a cryptic definition comprised of a precise definition combined with cryptic elaboration. For example, in DT 28560 (setter unknown) the following clue appears:
  •  26d   Heroic exploit, whichever way you look at it (4)
As the entire clue is a cryptic definition, it is marked with a dotted underline. The 'precise definition' is "heroic exploit" and is indicated by a solid underline.

Given the numeration, the precise definition could give rise to at least two solutions, DEED or FEAT. However, the 'cryptic elaboration' ("whichever way you look at it") indicates that the solution is a palindrome thereby immediately eliminating one of the two obvious choices.

Note that the part of the clue that I have called 'cryptic elaboration' does not provide a second independent route to the solution (as the wordplay would do in most other types of clue). Rather it merely provides a piece of additional information (elaboration) related to the 'precise definition'.

Again, this approach is a departure from past practice, but like the other changes mentioned previously is intended to remove inconsistencies in the way that I have been applying parsing markup to clues. The markup rules that I have been using until now evolved bit-by-bit over a long period of time resulting in some degree of internal inconsistency.

hide

Across

1a   /In/ “Salvador,” a new // Canadian actress (3,8)

{NIA VARDALOS}* — anagram (new) of SALVADOR A

Nia Vardalos[7] is a Canadian-American actress, screenwriter, and producer of Greek descent. Her most notable work is the 2002 film My Big Fat Greek Wedding, which was based on a one-woman stage play she dramatized and in which she starred.

Note on Parsing
For parsing purposes, the solver must reposition the comma (which, by the way,  has likely been incorrectly positioned before rather than after the closing quotation mark).

Thus, for parsing purposes, we must read the clue as:
  • /In/ “Salvador” a new, // Canadian actress (3,8)
or, restated in a normal declarative sentence structure:
  • Canadian actress /in/ “Salvador,” a new (3,8)

9a   Pub // arranged in time of prosperity (7)

B(ARR)OOM — ARR (arranged [by]; abbrev. found on music scores) contained in (in) BOOM (time of prosperity)

10a   On both sides of alley, you and I // fish (7)

WALLEYE — WE (you and I) containing (on both sides of) ALLEY ()

11a  Spell-weaver” // actor Jackie breaking log (9)

EN(CHAN)TER* — CHAN (actor Jackie; Hong Kong actor Jackie Chan[7]) contained in (breaking) ENTER (log; as a verb)

12a   Late-winter // parade (5)

MARCH — double definition

13a   English city // street engulfed by root (7)

CHE(ST)ER — ST(reet) contained in (engulfed by) CHEER (root)

15a   River /and/ pier end in disarray (7)

DNIEPER* — anagram of (in disarray) PIER END

The Dnieper[5] is a river of eastern Europe, rising in Russia west of Moscow and flowing southwards some 2,200 km (1,370 miles) through Ukraine to the Black Sea.

16a   Apprentice // driver’s gear outside of shower (7)

T(RAIN)EE — TEE (driver's gear; the driver here is a golfer hitting his or her initial shot on a hole) containing (outside of) RAIN (shower)

19a   Fork grabbed by crabby loony // whiner (7)

{CR(Y)BABY}* — Y (fork; letter that looks like a fork [in a road, for instance]) contained in (grabbed by) anagram of (loony) CRABBY

21a   Withdraw // permission (5)

LEAVE — double definition

22a   Picture // shaft of light penetrating doorway (9)

PORT(RAY)AL — RAY (shaft of light) contained in (penetrating) PORTAL (doorway)

25a   Fighter // I found in Bond material? (7)

SOLD(I)ER — I (†) contained in (found in) SOLDER (bond material)

Scratching the Surface
To misdirect us, the setters deceptively capitalize the initial letter of "Bond" so as to suggest a reference to the British secret agent from Ian Fleming's novels.

26a   Strip of land // is like this, housing 1000 (7)

IS|TH(M)US — IS () + THUS (like this) containing (housing) M ([Roman numeral for] 1000)

27a   Rudely, Oprah yells a // name in Canadian film (5,6)

{SARAH POLLEY}* — anagram of (rudely) OPRAH YELLS A

Sarah Polley[7] is a Canadian actress, writer, director, producer and political activist. Polley first garnered attention as a child actress for her role as Ramona Quimby in the television series Ramona, based on Beverly Cleary's books. Subsequently this led to her role as Sara Stanley in the Canadian television series Road to Avonlea (1990–1996).

Scratching the Surface
Oprah Winfrey[7], born Orpah Gail Winfrey, is an American media executive, actress, talk show host, television producer and philanthropist. She is best known for her talk show The Oprah Winfrey Show which was the highest-rated television program of its kind in history and ran in national syndication for 25 years from 1986 to 2011.

Down

1d   Superior // ingredient of cappuccino blends (5)

_NO|BLE_ — hidden in (ingredient of) cappucciNO BLEnds

2d   CIA rule breaking // heart, in part (7)

AURICLE* — anagram of (breaking) CIA RULE

3d   Evidence of a bakery // somewhat near Omaha (5)

_AR|OMA_ — hidden in (somewhat) neaAR OMAha

4d   Greek goddess // encountered among forest denizens (7)

DE(MET)ER — MET (encountered) contained in (among) DEER (forest denizens)

5d   Demeaned, // we’re “old bats” (7)

LOWERED* — anagram of (bats) WERE OLD

6d   It’s only me, breaking // a mood of seriousness (9)

SOLEMNITY — anagram of (breaking) ITS ONLY ME

7d   Too much // carried the wrong way (2,4)

{DE TROP}< — reversal (the wrong way) of PORTED (carried)

The solution is a phrase that has been ported into English from French.

8d   Greatly upset about husband/’s/ torpor (8)

{LET(H)ARGY}* — anagram of (upset) GREATLY containing (about) H(usband)

13d   Miss school // chum’s commencement, breaking sword (3,5)

CUT (C)LASS — C (chum's commencement [initial letter]) contained in (breaking) CUTLASS (sword)

An alternative — albeit less elegant — parsing would be:

C|{UT CLASS}* — C (chum's commencement [initial letter]) + anagram of (breaking) CUTLASS (sword)

I consider this parsing to be less elegant as only a single letter is displaced in the anagram and the word "breaking" has already been used as an anagram indicator in this puzzle.

14d   Attempts obtaining Anne/’s/ leather sources (9)

T(ANNE)RIES — TRIES (attempts) containing (obtaining) ANNE (†)

17d   Speaking of ales, // serves (6)

AVAILS~ — sounds like (speaking) {OF ALES}

18d   Ruler/’s/ representative in Rome sent back (7)

{EM(PER)OR}< — reversal of (sent back) {REP(presentative) contained in (in) ROME (†)}

19d   Like some hens /or/ like some cereal? (7)

CORNISH — double definition, the second being whimsical

20d   Awful // article by minor falling short (7)

A|BY|SMAL_ — A ([indefinite] article) + BY (†) + SMAL[L] (minor) with the final letter removed (falling short)

23d   Squeal “I love // relationship” (5)

RAT|I|O — RAT (squeal; inform) + I (†) + O (love; nil score (zero) in tennis)

24d   Passionate // couple of Lutherans, with pen (5)

LU|STY — LU (couple [initial two letters] of LUtherans) + (with) STY (pen)
Key to Reference Sources: 

[1]   - The Chambers Dictionary, 11th Edition
[2]   - Search Chambers - (Chambers 21st Century Dictionary)
[3]   - TheFreeDictionary.com (American Heritage Dictionary)
[4]   - TheFreeDictionary.com (Collins English Dictionary)
[5]   - Oxford Dictionaries (Oxford Dictionary of English)
[6]   - Oxford Dictionaries (Oxford Advanced American Dictionary)
[7]   - Wikipedia
[8]   - Reverso Online Dictionary (Collins French-English Dictionary)
[9]   - Infoplease (Random House Unabridged Dictionary)
[10] - CollinsDictionary.com (Collins English Dictionary)
[11] - TheFreeDictionary.com (Random House Kernerman Webster's College Dictionary)
[12] - CollinsDictionary.com (Webster’s New World College Dictionary)
[13] - MacmillanDictionary.com (Macmillan Dictionary)
[14] - CollinsDictionary.com (COBUILD Advanced English Dictionary)
Signing off for today — Falcon

Friday, October 25, 2019

Friday, October 25, 2019 — DT 29031 (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29031
Publication Date in The Daily Telegraph
Monday, April 22, 2019
Setter
Unknown
Link to Full Review
Big Dave's Crossword Blog [DT 29031]
Big Dave's Crossword Blog Review Written By
Miffypops
BD Rating
Difficulty - ★★ Enjoyment - ★★

Thursday, October 24, 2019

Thursday, October 24, 2019 — DT 29030 (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29030
Publication Date in The Daily Telegraph
Saturday, April 20, 2019
Setter
Unknown
Link to Full Review
Big Dave's Crossword Blog [DT 29030 – Hints]
Big Dave's Crossword Blog [DT 29030 – Review]
Big Dave's Crossword Blog Review Written By
Big Dave (Hints)
crypticsue (Review)
BD Rating
Difficulty - ★ / ★★ Enjoyment - ★★★
Notes
As this was a Saturday "Prize Puzzle" in Britain, there are two entries related to it on Big Dave's Crossword Blog — the first, posted on the date of publication, contains hints for selected clues while the second is a full review issued following the entry deadline for the contest. The vast majority of reader comments will generally be found attached to the "hints" posting with a minimal number — if any — accompanying the full review.

Wednesday, October 23, 2019

Wednesday, October 23, 2019 — DT 29029 (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29029
Publication Date in The Daily Telegraph
Friday, April 19, 2019
Setter
Giovanni (Don Manley)
Link to Full Review
Big Dave's Crossword Blog [DT 29029]
Big Dave's Crossword Blog Review Written By
Deep Threat
BD Rating
Difficulty - ★★ Enjoyment - ★★★

Tuesday, October 22, 2019

Tuesday, October 22, 2019 — DT 29022 (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29028
Publication Date in The Daily Telegraph
Thursday, April 18, 2019
Setter
proXimal (Steve Bartlett)
Link to Full Review
Big Dave's Crossword Blog [DT 29028]
Big Dave's Crossword Blog Review Written By
Falcon
BD Rating
Difficulty - ★★★ Enjoyment - ★★★★

Monday, October 21, 2019

Monday, October 21, 2019 — DT 29027 (Published Saturday, October 19, 2019) (Vacation Edition)

Vacation Edition
Puzzle at a Glance
Puzzle Number in The Daily Telegraph
DT 29027
Publication Date in The Daily Telegraph
Wednesday, April 17, 2019
Setter
Jay (Jeremy Mutch)
Link to Full Review
Big Dave's Crossword Blog [DT 29027]
Big Dave's Crossword Blog Review Written By
2Kiwis
BD Rating
Difficulty - ★★ Enjoyment - ★★★★
Notes
This puzzle appears on the Monday Diversions page in the Saturday, October 19, 2019 edition of the National Post.

Saturday, October 19, 2019

Saturday, October 19, 2019 — Islands

Introduction

Today's puzzle from Cox & Rathvon takes us on a journey to islands around the world.

I invite you to leave a comment to let us know how you fared with the puzzle.

Solution to Today's Puzzle

Falcon's Experience
┌────┬────┬────┬────┬────┬────┬────┐
███████████████████████████████████
└────┴────┴────┴────┴────┴────┴────┘
Legend:
- solved without assistance
- incorrect prior to use of puzzle solving tools
- solved with assistance from puzzle solving tools
- solved with aid of checking letters provided by puzzle solving tools
- solved but without fully parsing the clue
- yet to be solved

Click here for an explanation of conventions and symbols used in explaining the parsing of clues.


The purpose of this article is to explain the conventions and symbols that I use on this blog in explaining the parsing of clues.

Legend:

The following symbols are used in reviews:
  • "*" anagram
  • "~" sounds like
  • "<" indicates that the preceding letters are reversed
  • "( )" encloses contained letters
  • "_" replaces letters that have been deleted
  • "†" indicates that the word is present in the clue

The review of a clue takes the following general structure:

#a/d   Clue containing parsing markup (num*)

* num = numeration

Explanations pertaining to the wordplay (or first definition in a double definition)

(Horizontal separator)


Explanations pertaining to the definition (or second definition in a double definition) and solution.

Explanatory Box
An explanatory box provides additional information about the clue. In most cases this information will not necessarily help in solving the clue but provides information about the clue. In the case of the weekday syndicated Daily Telegraph puzzles, such information is often intended to help the North American solver appreciate how the clue may be perceived by a British solver. These boxes may also provide information on people, places, films, television program, works of art and literature, etc. mentioned in the clue.

Although the titles of these boxes will usually be drawn from a standard list, I do occasionally throw in a title specifically suggested by the subject at hand. The standard titles include:
  • Scratching the Surface - an explanation of the surface reading of the clue
  • Delving Deeper - in-depth information pertaining to a subject mentioned in an explanation
  • The Story Behind the Picture - for weekday puzzles, information about an illustration found on Big Dave's Crossword Blog
  • What did he/she/they say? - for weekday puzzles, an explanation of a remark made in a review or comment on Big Dave's Crossword Blog
  • What are they talking about? - for weekday puzzles, an explanation of a discussion on Big Dave's Crossword Blog
One box that may provide information that could prove helpful in solving the clue is the following:
  • Here and There - for weekday puzzles, discusses words whose British meaning differs from their North American meaning

Note that there are many types of cryptic crossword clue and it is not my intention to exhaustively go through all of them here. I will only deal with clue types to the extent necessary to explain the conventions and symbols used on the blog. Furthermore, be aware that, in the world of cryptic crosswords, there seems to be an exception to every rule.

With one exception that I can think of, cryptic crossword clues provide two routes to the solution. These are commonly referred to as the definition and wordplay. While these terms serve well for most clues, there are some cases where the more formal terms of primary indication and subsidiary indication may be more appropriate.

Most cryptic crossword clues consist of a definition (primary indication) and wordplay (subsidiary indication). The definition may be:
  • a "precise definition": a definition that is either taken directly from a dictionary or at least phrased in a non-misleading fashion similar to one that would be found in a dictionary
  • a "cryptic definition": a definition misleadingly phrased so as to misdirect the solver either with respect to the meaning of the definition as a whole or to an incorrect sense of a word used in the definition (for example, defining topiary as "clip art")
  • a "whimsical definition": a definition "invented" by the setter often by extrapolating a non-existent meaning for a word from a similar word (for example, defining a bird as a "winger" [something possessing wings] or a river as a ''flower" [something that flows] or to extrapolate that, since disembowel means 'to remove the innards of ', that discontent must mean 'to remove the contents of')
  • a "definition by example": the presence of one of these is often flagged with a question mark (for example, defining atoll as "coral?" where an atoll is but one form that coral may take).
The only type of clue that I can think of where there are not two ways of finding the solution are those in which the entire clue is a cryptic definition.
I identify precise definitions by marking them with a solid underline in the clue and other varieties of definition (such as cryptic definitions, whimsical definitions, definitions by example, etc.) by marking them with a dotted underline.
In clues in which both definition and wordplay are present, the two parts of the clue combine to provide an overall meaningful statement (the surface reading) which usually bears no relationship to the underlying cryptic reading of the clue. In some cases, an extra word or phrase will be inserted into the clue to create a meaningful link between the definition and wordplay. I define clues which contain such a link word or link phrase as having an explicit link and clues which contain no link word or link phrase as having an implicit link.
I mark the existence of an explicit link by enclosing the link word or link phrase between forward slashes (/link/) and mark the existence of an implicit link with double forward slashes (//) positioned between the definition and wordplay.
Examples

A few examples may help to illustrate these points more clearly.

The first example is a clue used by Jay in DT 28573:

  • 4d   Fellow left work // a failure (4)
Here the definition is "a failure" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as F (fellow; abbrev.) + L (left; abbrev.) + OP (work; abbrev. used in music) which gives us the solution F|L|OP. The double forward slashes (//) between the definition and wordplay indicate the existence of an "implicit link" between the two parts of the clue (that is, no extra words are inserted into the clue to form the link).

The second example is a clue used by Giovanni in DT 28575:
  • 29a   Female going to match // travels with mother in advance (10)
Here the definition "female going to match" is cryptic (the setter is attempting to misdirect our thoughts to a sports event rather than a marriage ceremony) and thus is marked with a a dotted underline. The wordplay is {RIDES (travels) + (with) MA (mother)} contained in (in) BID (advance) giving us the solution B(RIDES|MA)ID. As in the first example, the double forward slashes indicate the presence of an implicit link.

The third example is a clue used by Rufus is DT 28583:
  • 18d   Knight caught by misplaced big blow /is/ staggering (8)
Here the definition is "staggering" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as N ([chess symbol for] knight) contained in (caught in) an anagram (misplaced) of BIG BLOW producing the solution WOBBLI(N)G. Finally, forward slashes mark the link word (/is/).
I also use distinctive underlining to mark &lit.[7] and semi-&lit. clues. Note that the reviewers on Big Dave's Crossword Blog generally prefer to refer to these clue types by the less pretentious names of all-in-one or semi-all-in-one clues respectively.

In an &lit. clue[7] (or all-in-one clue) the entire clue provides not only the definition (when read one way), but under a different interpretation also serves as the wordplay.
In future, I will mark such clues with a combined solid and dashed underline. Although this is a departure from past practice, it would seem to make more sense than using a dotted underline as I have in the past). Henceforth, the dotted underline will be reserved for cryptic definitions.
In a semi-&lit. clue (or semi-all-in-one clue), either:
  • the entire clue acts as the definition while a portion of the clue provides the wordplay; or
  • the entire clue acts as the wordplay while a portion of the clue provides the definition.
For these clues, I will mark the definition with a solid underline and the wordplay with a  dashed underline. This means that a portion of the clue may have a solid underline, a portion of the clue may have a dashed underline and a portion of the clue may have a combined solid and dashed underline.
One final clue type is what I characterize as a cryptic definition comprised of a precise definition combined with cryptic elaboration. For example, in DT 28560 (setter unknown) the following clue appears:
  •  26d   Heroic exploit, whichever way you look at it (4)
As the entire clue is a cryptic definition, it is marked with a dotted underline. The 'precise definition' is "heroic exploit" and is indicated by a solid underline.

Given the numeration, the precise definition could give rise to at least two solutions, DEED or FEAT. However, the 'cryptic elaboration' ("whichever way you look at it") indicates that the solution is a palindrome thereby immediately eliminating one of the two obvious choices.

Note that the part of the clue that I have called 'cryptic elaboration' does not provide a second independent route to the solution (as the wordplay would do in most other types of clue). Rather it merely provides a piece of additional information (elaboration) related to the 'precise definition'.

Again, this approach is a departure from past practice, but like the other changes mentioned previously is intended to remove inconsistencies in the way that I have been applying parsing markup to clues. The markup rules that I have been using until now evolved bit-by-bit over a long period of time resulting in some degree of internal inconsistency.

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Across

1a   Island // fellow embraced by leader of the largest continent (8)

T|AS(MAN)IA — MAN (fellow) contained in (embraced by) {T (leader [initial letter] of The) + ASIA (largest continent)}

5a   Finally, // reference for driving time (2,4)

AT LAS|T — ATLAS (reference for driving) + T(ime)

9a   Run across // nomad (5)

R|OVER — R(un) + OVER (across)

10a   Island // male, one with lid of a brownish hue (9)

MAN|HAT|TAN — MAN (male one) + (with) HAT (lid) + TAN (of a brownish hue)

M|AN|HAT|TAN — M (male) + AN (one) + (with) HAT (lid) + TAN (of a brownish hue)

Thanks to Henry for suggesting the superior parsing.

12a   Disregards // troubled regions (7)

IGNORES* — anagram of (troubled) REGIONS

13a   In naïveté, rankled // old-timer (7)

_VETE|RAN_ — hidden in (in) naïVETÉ RANkled

14a   Island // hails piano playing (10)

HISPANIOLA* — anagram of (playing) HAILS PIANO

17a   Visit // one in pen (4)

ST(A)Y — A (one) contained in (in) STY (pen [for pigs])

19a   Place of confinement /for/ 100 years (4)

C|AGE — C ([Roman numeral for] 100) + AGE (years)

20a   Around the bend, a vehicle picking up fuel /for/ island (10)

MAD|A(GAS)CAR — MAD (around the bend) + {A () + CAR (vehicle)} containing (picking up) GAS (fuel)

23a   Siren // mythology connected with floral accessory (7)

LORE|LEI — LORE (mythology) + (connected with) LEI (floral accessory)

24a   Supporting player // with a title is making a comeback (7)

{SI|DEMAN}< — reversal of (making a comeback) {NAMED (with a title) + IS ()}

26a   Island // fashion magazine’s insignificant (9)

ELLE|S|MERE — ELLE (fashion magazine) + S ('s) + MERE (insignificant)

27a   Roughly right // size (5)

GIRTH* — anagram of (roughly) RIGHT

28a   Fleet of ships /in/ a wild drama (6)

A|RMADA* — A () + anagram of (wild) DRAMA

29a   Island // commotion held back by threesome (8)

TRI(NID<)AD — reversal of (back) DIN (commotion) contained in (held ... by) TRIAD (threesome)

Down

1d   Dull // cryptic in trash (7)

TARNISH* — anagram of (cryptic) IN TRASH

2d   Second level/’s/ number (5)

S|EVEN — S(econd) + EVEN (level)

3d   Indian city, before scattered rain, // concerned with farming (8)

AGRA|RIAN* — AGRA (Indian city) preceding (before) anagram of (scattered) RAIN

4d   One ambassador’s // feet (5)

I|AMB|S — I ([Roman numeral for] one) + AMB(assador) + S ('s)

6d   Delicious, eating bagel // warm (6)

T(O)ASTY — TASTY (delicious) containing (eating) O ([letter that looks like a] bagel)

7d   Caper involving sailor, cold // from polar climes (9)

AN(TAR|C)TIC — ANTIC (caper) containing (involving) {TAR (sailor) + C(old)}

8d   Beginning and end of the French city/’s/ occupation (7)

TE|NANCY — TE (beginning [initial letter] and end [final letter] of ThE) + NANCY (French city)

11d   Short narrative // verse in Christmas note (7)

NO(V)EL|LA — V(erse) contained in (in) NOEL (Christmas) + LA ([musical] note)

15d   Bum gulps a rum // candy (5,4)

{SUGAR PLUM}* — anagram of (bum) GULPS A RUM

16d   Fancy // silver found in island excavation (7)

IMAGINE — AG ([symbol for the chemical element] silver) contained in (found in) {I(sland) + MINE (excavation)}

18d   Excavation in California presented // sweater (8)

CA|R(DIG)AN — DIG (excavation) contained in (in) {CA(lifornia) + RAN (presented}

19d   Sculptor standing by a // crater (7)

CALDER|A — CALDER (sculptor) + (standing by) A ()

Three generations of this family were sculptors:
21d   Raised cattle // herd can degenerate (7)

RANCHED* — anagram of (degenerate) HERD CAN

22d   Shut // Canada’s first shed down (6)

C|LOSE|D — C (Canada's first [initial letter]) +LOSE (shed) + D(pwn)

24d   Change course // outright (5)

SHEER — double definition

25d   Stuck, // I’m turning crimson (5)

MI<|RED — reversal of (turning) IM (I'm) + RED (crimson)

Epilogue

One certainly did not have to look too hard for a theme today.
Key to Reference Sources: 

[1]   - The Chambers Dictionary, 11th Edition
[2]   - Search Chambers - (Chambers 21st Century Dictionary)
[3]   - TheFreeDictionary.com (American Heritage Dictionary)
[4]   - TheFreeDictionary.com (Collins English Dictionary)
[5]   - Oxford Dictionaries (Oxford Dictionary of English)
[6]   - Oxford Dictionaries (Oxford Advanced American Dictionary)
[7]   - Wikipedia
[8]   - Reverso Online Dictionary (Collins French-English Dictionary)
[9]   - Infoplease (Random House Unabridged Dictionary)
[10] - CollinsDictionary.com (Collins English Dictionary)
[11] - TheFreeDictionary.com (Random House Kernerman Webster's College Dictionary)
[12] - CollinsDictionary.com (Webster’s New World College Dictionary)
[13] - MacmillanDictionary.com (Macmillan Dictionary)
[14] - CollinsDictionary.com (COBUILD Advanced English Dictionary)
Signing off for today — Falcon