Saturday, June 22, 2019

Saturday, June 22, 2019 — Tennis, Anyone?

Introduction

As some have commented, the intensity level of the mental workout provided by today's puzzle from Cox & Rathvon seems to have raised a notch or two.

I invite you to leave a comment to let us know how you fared with the puzzle.

Solution to Today's Puzzle

Falcon's Experience
┌────┬────┬────┬────┬────┬────┬────┐
███████████████████████████████████
└────┴────┴────┴────┴────┴────┴────┘
Legend:
- solved without assistance
- incorrect prior to use of puzzle solving tools
- solved with assistance from puzzle solving tools
- solved with aid of checking letters provided by puzzle solving tools
- solved but without fully parsing the clue
- yet to be solved

Click here for an explanation of conventions and symbols used in explaining the parsing of clues.


The purpose of this article is to explain the conventions and symbols that I use on this blog in explaining the parsing of clues.

Legend:

The following symbols are used in reviews:
  • "*" anagram
  • "~" sounds like
  • "<" indicates that the preceding letters are reversed
  • "( )" encloses contained letters
  • "_" replaces letters that have been deleted
  • "†" indicates that the word is present in the clue

The review of a clue takes the following general structure:

#a/d   Clue containing parsing markup (num*)

* num = numeration

Explanations pertaining to the wordplay (or first definition in a double definition)

(Horizontal separator)


Explanations pertaining to the definition (or second definition in a double definition) and solution.

Explanatory Box
An explanatory box provides additional information about the clue. In most cases this information will not necessarily help in solving the clue but provides information about the clue. In the case of the weekday syndicated Daily Telegraph puzzles, such information is often intended to help the North American solver appreciate how the clue may be perceived by a British solver. These boxes may also provide information on people, places, films, television program, works of art and literature, etc. mentioned in the clue.

Although the titles of these boxes will usually be drawn from a standard list, I do occasionally throw in a title specifically suggested by the subject at hand. The standard titles include:
  • Scratching the Surface - an explanation of the surface reading of the clue
  • Delving Deeper - in-depth information pertaining to a subject mentioned in an explanation
  • The Story Behind the Picture - for weekday puzzles, information about an illustration found on Big Dave's Crossword Blog
  • What did he/she/they say? - for weekday puzzles, an explanation of a remark made in a review or comment on Big Dave's Crossword Blog
  • What are they talking about? - for weekday puzzles, an explanation of a discussion on Big Dave's Crossword Blog
One box that may provide information that could prove helpful in solving the clue is the following:
  • Here and There - for weekday puzzles, discusses words whose British meaning differs from their North American meaning

Note that there are many types of cryptic crossword clue and it is not my intention to exhaustively go through all of them here. I will only deal with clue types to the extent necessary to explain the conventions and symbols used on the blog. Furthermore, be aware that, in the world of cryptic crosswords, there seems to be an exception to every rule.

With one exception that I can think of, cryptic crossword clues provide two routes to the solution. These are commonly referred to as the definition and wordplay. While these terms serve well for most clues, there are some cases where the more formal terms of primary indication and subsidiary indication may be more appropriate.

Most cryptic crossword clues consist of a definition (primary indication) and wordplay (subsidiary indication). The definition may be:
  • a "precise definition": a definition that is either taken directly from a dictionary or at least phrased in a non-misleading fashion similar to one that would be found in a dictionary
  • a "cryptic definition": a definition misleadingly phrased so as to misdirect the solver either with respect to the meaning of the definition as a whole or to an incorrect sense of a word used in the definition (for example, defining topiary as "clip art")
  • a "whimsical definition": a definition "invented" by the setter often by extrapolating a non-existent meaning for a word from a similar word (for example, defining a bird as a "winger" [something possessing wings] or a river as a ''flower" [something that flows] or to extrapolate that, since disembowel means 'to remove the innards of ', that discontent must mean 'to remove the contents of')
  • a "definition by example": the presence of one of these is often flagged with a question mark (for example, defining atoll as "coral?" where an atoll is but one form that coral may take).
The only type of clue that I can think of where there are not two ways of finding the solution are those in which the entire clue is a cryptic definition.
I identify precise definitions by marking them with a solid underline in the clue and other varieties of definition (such as cryptic definitions, whimsical definitions, definitions by example, etc.) by marking them with a dotted underline.
In clues in which both definition and wordplay are present, the two parts of the clue combine to provide an overall meaningful statement (the surface reading) which usually bears no relationship to the underlying cryptic reading of the clue. In some cases, an extra word or phrase will be inserted into the clue to create a meaningful link between the definition and wordplay. I define clues which contain such a link word or link phrase as having an explicit link and clues which contain no link word or link phrase as having an implicit link.
I mark the existence of an explicit link by enclosing the link word or link phrase between forward slashes (/link/) and mark the existence of an implicit link with double forward slashes (//) positioned between the definition and wordplay.
Examples

A few examples may help to illustrate these points more clearly.

The first example is a clue used by Jay in DT 28573:

  • 4d   Fellow left work // a failure (4)
Here the definition is "a failure" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as F (fellow; abbrev.) + L (left; abbrev.) + OP (work; abbrev. used in music) which gives us the solution F|L|OP. The double forward slashes (//) between the definition and wordplay indicate the existence of an "implicit link" between the two parts of the clue (that is, no extra words are inserted into the clue to form the link).

The second example is a clue used by Giovanni in DT 28575:
  • 29a   Female going to match // travels with mother in advance (10)
Here the definition "female going to match" is cryptic (the setter is attempting to misdirect our thoughts to a sports event rather than a marriage ceremony) and thus is marked with a a dotted underline. The wordplay is {RIDES (travels) + (with) MA (mother)} contained in (in) BID (advance) giving us the solution B(RIDES|MA)ID. As in the first example, the double forward slashes indicate the presence of an implicit link.

The third example is a clue used by Rufus is DT 28583:
  • 18d   Knight caught by misplaced big blow /is/ staggering (8)
Here the definition is "staggering" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as N ([chess symbol for] knight) contained in (caught in) an anagram (misplaced) of BIG BLOW producing the solution WOBBLI(N)G. Finally, forward slashes mark the link word (/is/).
I also use distinctive underlining to mark &lit.[7] and semi-&lit. clues. Note that the reviewers on Big Dave's Crossword Blog generally prefer to refer to these clue types by the less pretentious names of all-in-one or semi-all-in-one clues respectively.

In an &lit. clue[7] (or all-in-one clue) the entire clue provides not only the definition (when read one way), but under a different interpretation also serves as the wordplay.
In future, I will mark such clues with a combined solid and dashed underline. Although this is a departure from past practice, it would seem to make more sense than using a dotted underline as I have in the past). Henceforth, the dotted underline will be reserved for cryptic definitions.
In a semi-&lit. clue (or semi-all-in-one clue), either:
  • the entire clue acts as the definition while a portion of the clue provides the wordplay; or
  • the entire clue acts as the wordplay while a portion of the clue provides the definition.
For these clues, I will mark the definition with a solid underline and the wordplay with a  dashed underline. This means that a portion of the clue may have a solid underline, a portion of the clue may have a dashed underline and a portion of the clue may have a combined solid and dashed underline.
One final clue type is what I characterize as a cryptic definition comprised of a precise definition combined with cryptic elaboration. For example, in DT 28560 (setter unknown) the following clue appears:
  •  26d   Heroic exploit, whichever way you look at it (4)
As the entire clue is a cryptic definition, it is marked with a dotted underline. The 'precise definition' is "heroic exploit" and is indicated by a solid underline.

Given the numeration, the precise definition could give rise to at least two solutions, DEED or FEAT. However, the 'cryptic elaboration' ("whichever way you look at it") indicates that the solution is a palindrome thereby immediately eliminating one of the two obvious choices.

Note that the part of the clue that I have called 'cryptic elaboration' does not provide a second independent route to the solution (as the wordplay would do in most other types of clue). Rather it merely provides a piece of additional information (elaboration) related to the 'precise definition'.

Again, this approach is a departure from past practice, but like the other changes mentioned previously is intended to remove inconsistencies in the way that I have been applying parsing markup to clues. The markup rules that I have been using until now evolved bit-by-bit over a long period of time resulting in some degree of internal inconsistency.

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Across

1a   Close up // napkin, blot fluid (5-5)

{POINT BLANK}* — anagram of (fluid) NAPKIN BLOT

6a   Self-satisfied // periodontist’s concern in retreat (4)

SMUG< — reversal of (in retreat) GUMS (periodontist's concern)

10a   Skunk // adjusted to place (7)

POLECAT* — anagram of (adjusted) TO PLACE

Polecat[10,12] is a nontechnical US term for skunk.

11a   A robin flying by one // African capital (7)

NAIROB*|I — anagram of (flying) {A + ROBIN) + (by) I ([Roman numeral for] one)

Nairobi[5] is the capital of Kenya. It is situated on the central Kenyan plateau at an altitude of 1,680 m (5,500 ft).

12a   I’m captivated by illuminated // border (5)

L(IM)IT —IM (I'm) contained in (captivated by) LIT (illuminated)

13a   Schemes for a player // piano in Indonesian orchestras (4,5)

GAME (P)LANS — P (piano; abbrev., musical direction to play softly) contained in (in) GAMELANS (Indonesian orchestras)

A gamelan[5] is a traditional instrumental ensemble in Java and Bali, including many bronze percussion instruments.

14a   Coherence: // I had it in character on a 1950s show (8)

LUC(ID|IT)Y — {ID (I had; contracted as "I'd") + IT ()} contained in (in) LUCY (character on a 1950s show)

Lucy Ricardo is the title character in the American television sitcom I Love Lucy[5] that originally ran on CBS from October 1951 to May 1957.

16a   Start eating // most of dip with wavy streak (4,2)

DI|VE IN — DI (most [all but the final letter] of DI[P]) + (with) VEIN (wavy streak)

A vein[3] is a long wavy strip of a different shade or color, as in wood or marble, or as mold in cheese.

18a   Drink after Flipper/’s/ ending (6)

FIN|ALE — ALE (drink) following (after) FIN (flippper)

20a   Long story’s true about restricted // sea where eels breed (8)

SA(R)GAS|SO — {SAGA (long story) + S ('s) +SO (true)} containing (about) R (restricted; abbrev., film classification)

The Sargasso Sea[5] is a region of the western Atlantic Ocean between the Azores and the Caribbean, so called because of the prevalence in it of floating sargasso seaweed. It is the breeding place of eels from the rivers of Europe and eastern North America, and is known for its usually calm conditions.

23a   Fixes team’s // fasteners (3,6)

SET S|CREWS —SETS (fixes) + CREW (team) + S ('s)

24a   Wettish // haze around mid-October (5)

M(O)IST — MIST (haze) containing (around) O (mid [middle letter of] OctOber)

26a   Vacuums picking up scattered tea // leaves (7)

VAC(ATE*)S — VACS (vacuums) containing (picking up) anagram of (scattered) TEA

27a   Thoughts upon entering mountain // region inhabited largely by Muslims (7)

M(IDEAS)T — IDEAS (thoughts) contained in (entering) MT (mountain; abbrev.)

28a   Overhaul // Communist Manifesto’s conclusion (4)

RED|O — RED (communist) + O (manifestO's conclusion [final letter])

29a   Hammer tack poorly /for/ go between (10)

MATCHMAKER* — anagram (poorly) of HAMMER TACK

Down

1d   Turning cheek, raised // part of the eye (5)

{PU|PIL}< — reversal of (turning) {LIP (cheek; impudence) + UP (raised)}

2d   Following a certain faith // is false claim (7)

IS|LAMIC* — IS (†) + anagram of (false) CLAIM

3d   Understood // diplomat’s skill, pinching myself (5)

TAC(I)T — TACT (diplomat's skill) containing (pinching) I (myself)

4d   Press charges // untruth about titanium revolver (8)

LI(TI|GAT)E — LIE (untruth) containing (about) {TI ([symbol for the chemical element] titanium) + GAT (revolver)}

5d   Generic // sodium found in Alaskan town (2-4)

NO-(NA)ME — NA ([symbol for the chemical element] sodium) contained in (found in) NOME (Alaskan town)

7d   Place to get tied up /and/ vocalize like a mad cow? (7)

MOO|RAGE — to vocalize like a cow is to MOO; to vocalize when in an angry state of mind is to RAGE; therefore, presumably, to vocalize like a mad (angry) cow would be to MOO RAGE.

8d   Musical slide // slid a song, in a way (9)

GLISSANDO* — anagram of (in a way) SLID A SONG

9d   Tearing around lake, // forming little waves (8)

RIPP(L)ING — RIPPING (tearing) containing (around) L(ake)

14d   Emergency equipment // is positioned outside of Florida’s capital by state (9)

LI(F)ES|AVER — LIES (is positioned) containing (outside of) F (Florida's capital [initial letter]) + (by) AVER (state)

15d   Rolling dice late /results in/ fine (8)

DELICATE* — anagram of (rolling) DICE LATE

17d   In British Columbia, processed salami /with/ sort of vinegar (8)

B(ALSAMI*)C — anagram of (processed) SALAMI contained in (in) BC (British Columbia)

19d   Saw // straight? (7)

NOT|ICED — NOT ICED (as an alcoholic drink, not diluted with ice)

21d   Glance over request /for/ winter sportswear (3,4)

SKI M|ASK — SKIM (glance over) + ASK (request)

22d   Praise reformed // old empire (6)

PERSIA* — anagram of (reformed) PRAISE

Persia[5] is a former country in south-western Asia, now called Iran. The ancient kingdom of Persia became the domain of the Achaemenid dynasty in the 6th century BC. Under Cyrus the Great, Persia became the centre of a powerful empire that included western Asia, Egypt, and parts of eastern Europe; it was eventually overthrown by Alexander the Great in 330 BC. The country was conquered by Muslim Arabs between AD 633 and 651. It was renamed Iran in 1935.

24d   Verse stored in mass medium // computer peripheral (5)

M(ODE)M — ODE (verse) contained in (stored in) {M (mass; abbrev. used in physics) + M (medium; clothing size)}

25d   Ancient king or // teacher (5)

TUT|OR — TUT (ancient [Egyptian] king) + OR (†)

Epilog

Eagle-eyed Henry spotted the theme in today's puzzle. I'm afraid I missed it being the victim of an ace that the setters blew past me. We find the following tennis terms among the solutions: POINT (1a), GAME (13a), SET (23a), and MATCH (29a)
Key to Reference Sources: 

[1]   - The Chambers Dictionary, 11th Edition
[2]   - Search Chambers - (Chambers 21st Century Dictionary)
[3]   - TheFreeDictionary.com (American Heritage Dictionary)
[4]   - TheFreeDictionary.com (Collins English Dictionary)
[5]   - Oxford Dictionaries (Oxford Dictionary of English)
[6]   - Oxford Dictionaries (Oxford American Dictionary)
[7]   - Wikipedia
[8]   - Reverso Online Dictionary (Collins French-English Dictionary)
[9]   - Infoplease (Random House Unabridged Dictionary)
[10] - CollinsDictionary.com (Collins English Dictionary)
[11] - TheFreeDictionary.com (Random House Kernerman Webster's College Dictionary)
[12] - CollinsDictionary.com (Webster’s New World College Dictionary)
[13] - MacmillanDictionary.com (Macmillan Dictionary)
[14] - CollinsDictionary.com (COBUILD Advanced English Dictionary)
Signing off for today — Falcon

6 comments:

  1. Good morning to all the cryptosolvers! Today's offering from C&R is reminiscent of a tennis game. we're in luck here in southern Ontario - no wettish haze around mid-June. Happy first of summer to all!
    I'm not sure what it is about these puzzles, but once again the lower left seemed to be the toughest to put in. 14d in particular. Well, now that I'm done, I'll go and listen to some gamelans.
    Henry

    ReplyDelete
  2. Last in 23a. Like Henry, I found the bottom left to be the hardest to conquer. 7d stumped me for a while due to the misdirection of "vocalize".

    ReplyDelete
  3. Hello Falcon and friends,

    Thought today's offering was definitely more challenging than usual. The orchestra was a new word for me. I was also stuck on 7d due to my initial mistake on 16a (thought it was digs in). Favourite was 19d.

    Finally a nice weekend weatherwise. Thank you for posting Falcon.

    Cheers,
    MG

    ReplyDelete
    Replies
    1. Consider subscribing to the NP. Pay for your puzzles (setters don't work for free) and support quality journalism.

      Delete
  4. Falcon - did you catch Point, Game, Set and Match? (The tennis game I mentioned above)

    ReplyDelete

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