Introduction
For the most part, today's puzzle from Cox & Rathvon was completed quickly. However, I was left at the end with a handful of clues that required some intense mental effort to parse.I invite you to leave a comment to let us know how you fared with the puzzle.
Solution to Today's Puzzle
Falcon's Experience
┌────┬────┬────┬────┬────┬────┬────┐
███████████████████████████████████
└────┴────┴────┴────┴────┴────┴────┘
Legend:
█ - solved without assistance
█ - incorrect prior to use of puzzle solving tools
█ - solved with assistance from puzzle solving tools
█ - solved with aid of checking letters provided by puzzle solving tools
█ - solved but without fully parsing the clue
█ - yet to be solved
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Click here for an explanation of conventions and symbols used in explaining the parsing of clues.
The purpose of this article is to explain the conventions and symbols that I use on this blog in explaining the parsing of clues.
Legend: The following symbols are used in reviews:
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The review of a clue takes the following general structure:
#a/d Clue containing parsing markup (num*)
* num = numeration
Explanations pertaining to the wordplay (or first definition in a double definition)
(Horizontal separator)
Explanatory Box
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An
explanatory box provides additional information about the clue. In most
cases this information will not necessarily help in solving the clue
but provides information about the clue. In the case of the weekday
syndicated Daily Telegraph puzzles, such information is often
intended to help the North American solver appreciate how the clue may
be perceived by a British solver. These boxes may also provide
information on people, places, films, television programmes, works of
art and literature, etc. mentioned in the clue. Although the titles of these boxes will usually be drawn from a standard list, I do occasionally throw in a title specifically suggested by the subject at hand. The standard titles include:
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Note that there are many types of cryptic crossword clue and it is not my intention to exhaustively go through all of them here. I will only deal with clue types to the extent necessary to explain the conventions and symbols used on the blog. Furthermore, be aware that, in the world of cryptic crosswords, there seems to be an exception to every rule.
With one exception that I can think of, cryptic crossword clues provide two routes to the solution. These are commonly referred to as the definition and wordplay. While these terms serve well for most clues, there are some cases where the more formal terms of primary indication and subsidiary indication may be more appropriate.
Most cryptic crossword clues consist of a definition (primary indication) and wordplay (subsidiary indication). The definition may be a "precise definition" (a definition that is either taken straight from a dictionary or at least phrased in a non-misleading fashion) or it may be a "cryptic definition" (a definition misleadingly phrased so as to misdirect the solver either with respect to the meaning of the definition as a whole or to an incorrect sense of a word used in the definition).
The only type of clue that I can think of where there are not two ways of finding the solution are those in which the entire clue is a cryptic definition.
I identify precise definitions by marking them with a solid underline in the clue and cryptic definitions by marking them with a dotted underline.In clues in which both definition and wordplay are present, the two parts of the clue combine to provide an overall meaningful statement (the surface reading) which usually bears no relationship to the underlying cryptic reading of the clue. In some cases, an extra word or phrase will be inserted into the clue to create a meaningful link between the definition and wordplay. I define clues which contain such a link word or link phrase as having an explicit link and clues which contain no link word or link phrase as having an implicit link.
I mark the existence of an explicit link by enclosing the link word or link phrase between forward slashes (/link/) and mark the existence of an implicit link with double forward slashes (//) positioned between the definition and wordplay.
ExamplesI also use distinctive underlining to mark &lit.[7] and semi-&lit. clues. Note that the reviewers on Big Dave's Crossword Blog generally prefer to refer to these clue types by the less pretentious names of all-in-one or semi-all-in-one clues respectively.
A few examples may help to illustrate these points more clearly.
The first example is a clue used by Jay in DT 28573:
Here the definition is "a failure" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as F (fellow; abbrev.) + L (left; abbrev.) + OP (work; abbrev. used in music) which gives us the solution F|L|OP. The double forward slashes (//) between the definition and wordplay indicate the existence of an "implicit link" between the two parts of the clue (that is, no extra words are inserted into the clue to form the link).
- 4d Fellow left work // a failure (4)
The second example is a clue used by Giovanni in DT 28575:
Here the definition "female going to match" is cryptic (the setter is attempting to misdirect our thoughts to a sports event rather than a marriage ceremony) and thus is marked with a a dotted underline. The wordplay is {RIDES (travels) + (with) MA (mother)} contained in (in) BID (advance) giving us the solution B(RIDES|MA)ID. As in the first example, the double forward slashes indicate the presence of an implicit link.
- 29a Female going to match // travels with mother in advance (10)
The third example is a clue used by Rufus is DT 28583:
Here the definition is "staggering" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as N ([chess symbol for] knight) contained in (caught in) an anagram (misplaced) of BIG BLOW producing the solution WOBBLI(N)G. Finally, forward slashes mark the link word (/is/).
- 18d Knight caught by misplaced big blow /is/ staggering (8)
In an &lit. clue[7] (or all-in-one clue) the entire clue provides not only the definition (when read one way), but under a different interpretation also serves as the wordplay.
In future, I will mark such clues with a combined solid and dashed underline. Although this is a departure from past practice, it would seem to make more sense than using a dotted underline as I have in the past). Henceforth, the dotted underline will be reserved for cryptic definitions.In a semi-&lit. clue (or semi-all-in-one clue), either:
- the entire clue acts as the definition while a portion of the clue provides the wordplay; or
- the entire clue acts as the wordplay while a portion of the clue provides the definition.
For these clues, I will mark the definition with a solid underline and the wordplay with a dashed underline. This means that a portion of the clue may have a solid underline, a portion of the clue may have a dashed underline and a portion of the clue may have a combined solid and dashed underline.One final clue type is what I characterize as a cryptic definition comprised of a precise definition combined with cryptic elaboration. For example, in DT 28560 (setter unknown) the following clue appears:
- 26d Heroic exploit, whichever way you look at it (4)
Given the numeration, the precise definition could give rise to at least two solutions, DEED or FEAT. However, the 'cryptic elaboration' ("whichever way you look at it") indicates that the solution is a palindrome thereby immediately eliminating one of the two obvious choices.
Note that the part of the clue that I have called 'cryptic elaboration' does not provide a second independent route to the solution (as the wordplay would do in most other types of clue). Rather it merely provides a piece of additional information (elaboration) related to the 'precise definition'.
Again, this approach is a departure from past practice, but like the other changes mentioned previously is intended to remove inconsistencies in the way that I have been applying parsing markup to clues. The markup rules that I have been using until now evolved bit-by-bit over a long period of time resulting in some degree of internal inconsistency.
hide explanation
Across
1a Sedan, if convertible, // gradually appears (5,2)
{FADES IN}* — anagram (convertible) of SEDAN IF
5a A road trip’s beginning in spring /for/ non-convertible (7)
H(A|RD|T)OP — {A (†) + RD (road; abbrev.) + T (Trip's beginning [initial letter]) contained in (in) HOP (spring)
9a Mark catches corner “T” // trolley (9)
S(TREE|T)CAR — SCAR (mark) containing (catches) {TREE (corner; verb meaning to force into a difficult situation) + T (†)}
10a Jalopy/’s/ average speed (5)
C|RATE — C (average [academic rating]) + RATE (speed)
11a Crumpled bag containing poem /in/ wine shop (6)
B(ODE)GA* — anagram (crumpled) of BAG containing (†) ODE (poem)
A bodega[5] is a cellar or shop selling wine and food, especially in a Spanish-speaking country or area.
12a Continues on // both sides of personnel lists (8)
PERS_ISTS — the initial four letters and the final four letters of (both sides of) PERSonnel lISTS
14a Pine products destined for Georgia sway back and forth on // old vehicle (9,5)
CONES|TO|GA| WAG|ON — CONES (pine products) + TO (destined for) + GA (Georgia; abbrev.) + WAG (sway back and forth) + ON (†)
The Conestoga wagon[7] is a heavy, covered wagon that was used extensively during the late eighteenth century, and the nineteenth century, in the eastern United States and Canada.
Origin: The Conestoga wagon[5] takes its name from the town of Conestoga in Pennsylvania.
Delving Deeper
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The Conestoga wagon was large enough to transport loads up to 6 tons (5.4 metric tons),
and was drawn by horses, mules, or oxen. It was designed to help keep
its contents from moving about when in motion and to aid it in crossing
rivers and streams, though it sometimes leaked unless caulked. The term Conestoga wagon refers specifically to this type of vehicle; it is not a generic term for "covered wagon". The wagons used in the westward expansion of the United States were, for the most part, ordinary farm wagons fitted with canvas covers. A true Conestoga wagon was too heavy for use on the prairies. |
17a Truck // locator taking wrong form of transportation (7-7)
TRAC(TOR T|RAIL)ER — TRACER (locator) containing (taking) {TORT (wrong) + RAIL (form of transportation)}
21a Come across // Vera in orchestra (8)
O(VERA)RCH — VERA (†) contained in (in) ORCH (orchestra; abbrev.)
22a Correct // cord held by pair (6)
P(ROPE)R — ROPE (cord) contained in (held by) PR (pair; abbrev.)
25a Trolleys // hurt when put in reverse (5)
TRAMS< — reversal (when put in reverse) of SMART (hurt)
Trolleys also make a mark when crashed (4)
26a Murmurs about illicit whisky // trains (4-5)
C(HOOCH)OOS — COOS (murmurs) containing (about) HOOCH (illicit whisky)
Nice to see the Canadian spelling of whisky respected by the setters — if not by the Google spellchecker.
27a Jellyfish // made Sue mad (7)
MEDUSAE — anagram (mad) of MADE SUE
The long answer is that a medusa[5] (plural medusas or medusae) is a free-swimming sexual form of a coelenterate such as a jellyfish, typically having an umbrella-shaped body with stinging tentacles around the edge. In some species, medusae are a phase in the life cycle which alternates with a polypoid phase.
The short answer is that a medusa[5] is a jellyfish.
28a Souped-up racers // walked, amid laughs (3,4)
HO(T ROD)S — TROD (walked) contained in (amid) HOS (laughs)
Down
1d Hog cut around small, // aerodynamic auto (8)
FA(S)TBACK — FATBACK (hog cut; cut of meat from a hog) containing (around) S (small; abbrev. found on clothing labels)
Fatback is a US[12] or North American[5] term for fat from the upper part of a side of pork, especially when dried and salted in strips.
2d Initially determined a signal to stop // was bold enough (5)
D|A|RED — D (initially determined; initial letter of Determined) + A (†) + RED (signal to stop)
3d So to speak, cracks
up // vehicles in snow (7)
SLEIGHS~ — sounds like (so to speak) SLAYS (cracks up; causes an audience to laugh uproariously)
4d Faldo/’s/ scratch (4)
NICK — double definition; the first being English professional golfer Nick Faldo[7]
5d Orchestras playing /for/ buggies, perhaps (5,5)
{HORSE CARTS}* — anagram (playing) of ORCHESTRAS
6d Passenger of Patrick’s has
// human-powered vehicle (7)
_RICKS|HA_ — hidden in (passenger of) PatRICKS HAs
Ricksha is an alternate spelling of rickshaw[5].
7d Fungal growth // drifting
to old oats (9)
TOADSTOOL* — anagram (drifting) of TO OLD OATS
8d Kindly // pass rental agreement (6)
P|LEASE — P (pass; academic result in a pass/fail grading system) + LEASE (rental agreement)
13d Upset, come to cry about girl’s last // bike (10)
MOTORCYC(L)E* — anagram (upset) of COME TO CRY containing (about) L (girL's last [final letter])
15d Ladies hurry back, including one // nanny (9)
{NUR|SEMA(I)D}< — reversal (back) of {DAMES (ladies) + RUN (hurry)} containing (including) I ([Roman numeral for] one)
16d 1000 in checks /for/ some supporters (8)
AR(M)RESTS — M ([Roman numeral for] 1000) contained in (in) ARRESTS (checks)
Scratching the Surface
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The
surface reading works better for a US audience as it uses the US
spelling for what I presume is intended to be a financial instrument
instructing a bank to pay a stated amount from the drawer's bank
account. Were one to use the proper Canadian spelling, the surface reading of the clue would become 1000 in cheques for some supportersand the clue would simply not work. Of course, Canadians are so inundated with US media that most of us are not likely to have any trouble understanding the surface reading. |
18d Pursuits involving island/’s/ carriages (7)
CHA(I)SES — CHASES (pursuits) containing (involving) I (island; abbrev. found on maps)
Historically, a chaise[5] was a horse-drawn carriage for one or two people, typically one with an open top and two wheels.
19d Orange-yellow, // mostly tropical bananas (7)
APRICOT* — anagram (bananas) of TROPICA[
20d Seat // two tenors amid thunderous noise (6)
BO(T|T)OM — {T + T} (two tenors) contained in (amid) BOOM (thunderous noise)
23d Hype // dance band? (5)
PROM|O — PROM (dance) + O (band; letter that looks like a [wedding] band)
Here and There
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For the benefit of any British readers who might be reading this, prom[5] is a North American term for a ball or formal dance at a school or college,
especially one held at the end of the academic year for students who are
in their final year.
* in the UK, paved[5] denotes surfaced with paving stones or bricks — not asphalt |
24d Heartless trap /for/ insect (4)
MO_TH — MO[
Epilogue
Today's puzzle features many forms of transportation that have been in use at various times over the last few centuries.Key to Reference Sources:Signing off for today — Falcon
[1] - The Chambers Dictionary, 11th Edition
[2] - Search Chambers - (Chambers 21st Century Dictionary)
[3] - TheFreeDictionary.com (American Heritage Dictionary)
[4] - TheFreeDictionary.com (Collins English Dictionary)
[5] - Oxford Dictionaries (Oxford Dictionary of English)
[6] - Oxford Dictionaries (Oxford American Dictionary)
[7] - Wikipedia
[8] - Reverso Online Dictionary (Collins French-English Dictionary)
[9] - Infoplease (Random House Unabridged Dictionary)
[10] - CollinsDictionary.com (Collins English Dictionary)
[11] - TheFreeDictionary.com (Random House Kernerman Webster's College Dictionary)
[12] - CollinsDictionary.com (Webster’s New World College Dictionary)
[13] - MacmillanDictionary.com (Macmillan Dictionary)
[14] - CollinsDictionary.com (COBUILD Advanced English Dictionary)
Good morning,
ReplyDeleteI found today's C & R to be of average difficulty and enjoyment. The answer to 1a is an expression I have heard before but it has never made sense to me. Have a good day!
Peter
Good bright Saturday am to all the puzzlers out there! Interesting parsing today (14a and 17a to wit) and a cute hidden clue will make life difficult for a lot of you. I haven't figured out the parsing for 24d yet, but the answer is fairly obvious.
ReplyDeletePeter - the expression in 1a is from cinema or television where the image on the screen starts from a blank white or grey rectangle and slowly takes on the contrast of the final scene that the cameraman wants.
Henry
Hi Henry,
DeleteRe 24d: if you remove the letter 'u' from a 5 letter word that can mean 'trap' (eg. shut your trap) you get an insect.
Re 1a: yes, I thought the expression had to do with film. But it still doesn't make sense to me. Something can dwindle down, but it can't dwindle up.
Peter
Further to Carola's comment from last week - and Carola, what are you doing writing comments at quarter to two in the morning? I find themed puzzles a lot easier (given that I figure out what the theme is before finishing) because it gives a lot of clues as to where to think in looking for answers. For example, in this puzzle, with the emphasis on transportation, it narrows the scope in many cases of what to look for.
ReplyDeleteHenry
Too many clunky legos for my liking. A couple of them I didn't even bother trying to parse; better things to do than untangle their tortured logic.
ReplyDeleteSolved fairly quickly until I reached the SE corner which took some head-scratching before I could complete it.
ReplyDelete