Introduction
With the Giller Prize for English-language Canadian fiction to be awarded on November 19, today's puzzle from Cox & Rathvon has an appropriate CanLit theme.I invite you to leave a comment to let us know how you fared with the puzzle.
Solution to Today's Puzzle
Falcon's Experience
┌────┬────┬────┬────┬────┬────┬────┐
███████████████████████████████████
└────┴────┴────┴────┴────┴────┴────┘
Legend:
█ - solved without assistance
█ - incorrect prior to use of puzzle solving tools
█ - solved with assistance from puzzle solving tools
█ - solved with aid of checking letters provided by puzzle solving tools
█ - solved but without fully parsing the clue
█ - yet to be solved
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Click here for an explanation of conventions and symbols used in explaining the parsing of clues.
The purpose of this article is to explain the conventions and symbols that I use on this blog in explaining the parsing of clues.
Legend: The following symbols are used in reviews:
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The review of a clue takes the following general structure:
#a/d Clue containing parsing markup (num*)
* num = numeration
Explanations pertaining to the wordplay (or first definition in a double definition)
(Horizontal separator)
Explanatory Box
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An
explanatory box provides additional information about the clue. In most
cases this information will not necessarily help in solving the clue
but provides information about the clue. In the case of the weekday
syndicated Daily Telegraph puzzles, such information is often
intended to help the North American solver appreciate how the clue may
be perceived by a British solver. These boxes may also provide
information on people, places, films, television programmes, works of
art and literature, etc. mentioned in the clue. Although the titles of these boxes will usually be drawn from a standard list, I do occasionally throw in a title specifically suggested by the subject at hand. The standard titles include:
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Note that there are many types of cryptic crossword clue and it is not my intention to exhaustively go through all of them here. I will only deal with clue types to the extent necessary to explain the conventions and symbols used on the blog. Furthermore, be aware that, in the world of cryptic crosswords, there seems to be an exception to every rule.
With one exception that I can think of, cryptic crossword clues provide two routes to the solution. These are commonly referred to as the definition and wordplay. While these terms serve well for most clues, there are some cases where the more formal terms of primary indication and subsidiary indication may be more appropriate.
Most cryptic crossword clues consist of a definition (primary indication) and wordplay (subsidiary indication). The definition may be a "precise definition" (a definition that is either taken straight from a dictionary or at least phrased in a non-misleading fashion) or it may be a "cryptic definition" (a definition misleadingly phrased so as to misdirect the solver either with respect to the meaning of the definition as a whole or to an incorrect sense of a word used in the definition).
The only type of clue that I can think of where there are not two ways of finding the solution are those in which the entire clue is a cryptic definition.
I identify precise definitions by marking them with a solid underline in the clue and cryptic definitions by marking them with a dotted underline.In clues in which both definition and wordplay are present, the two parts of the clue combine to provide an overall meaningful statement (the surface reading) which usually bears no relationship to the underlying cryptic reading of the clue. In some cases, an extra word or phrase will be inserted into the clue to create a meaningful link between the definition and wordplay. I define clues which contain such a link word or link phrase as having an explicit link and clues which contain no link word or link phrase as having an implicit link.
I mark the existence of an explicit link by enclosing the link word or link phrase between forward slashes (/link/) and mark the existence of an implicit link with double forward slashes (//) positioned between the definition and wordplay.
ExamplesI also use distinctive underlining to mark &lit.[7] and semi-&lit. clues. Note that the reviewers on Big Dave's Crossword Blog generally prefer to refer to these clue types by the less pretentious names of all-in-one or semi-all-in-one clues respectively.
A few examples may help to illustrate these points more clearly.
The first example is a clue used by Jay in DT 28573:
Here the definition is "a failure" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as F (fellow; abbrev.) + L (left; abbrev.) + OP (work; abbrev. used in music) which gives us the solution F|L|OP. The double forward slashes (//) between the definition and wordplay indicate the existence of an "implicit link" between the two parts of the clue (that is, no extra words are inserted into the clue to form the link).
- 4d Fellow left work // a failure (4)
The second example is a clue used by Giovanni in DT 28575:
Here the definition "female going to match" is cryptic (the setter is attempting to misdirect our thoughts to a sports event rather than a marriage ceremony) and thus is marked with a a dotted underline. The wordplay is {RIDES (travels) + (with) MA (mother)} contained in (in) BID (advance) giving us the solution B(RIDES|MA)ID. As in the first example, the double forward slashes indicate the presence of an implicit link.
- 29a Female going to match // travels with mother in advance (10)
The third example is a clue used by Rufus is DT 28583:
Here the definition is "staggering" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as N ([chess symbol for] knight) contained in (caught in) an anagram (misplaced) of BIG BLOW producing the solution WOBBLI(N)G. Finally, forward slashes mark the link word (/is/).
- 18d Knight caught by misplaced big blow /is/ staggering (8)
In an &lit. clue[7] (or all-in-one clue) the entire clue provides not only the definition (when read one way), but under a different interpretation also serves as the wordplay.
In future, I will mark such clues with a combined solid and dashed underline. Although this is a departure from past practice, it would seem to make more sense than using a dotted underline as I have in the past). Henceforth, the dotted underline will be reserved for cryptic definitions.In a semi-&lit. clue (or semi-all-in-one clue), either:
- the entire clue acts as the definition while a portion of the clue provides the wordplay; or
- the entire clue acts as the wordplay while a portion of the clue provides the definition.
For these clues, I will mark the definition with a solid underline and the wordplay with a dashed underline. This means that a portion of the clue may have a solid underline, a portion of the clue may have a dashed underline and a portion of the clue may have a combined solid and dashed underline.One final clue type is what I characterize as a cryptic definition comprised of a precise definition combined with cryptic elaboration. For example, in DT 28560 (setter unknown) the following clue appears:
- 26d Heroic exploit, whichever way you look at it (4)
Given the numeration, the precise definition could give rise to at least two solutions, DEED or FEAT. However, the 'cryptic elaboration' ("whichever way you look at it") indicates that the solution is a palindrome thereby immediately eliminating one of the two obvious choices.
Note that the part of the clue that I have called 'cryptic elaboration' does not provide a second independent route to the solution (as the wordplay would do in most other types of clue). Rather it merely provides a piece of additional information (elaboration) related to the 'precise definition'.
Again, this approach is a departure from past practice, but like the other changes mentioned previously is intended to remove inconsistencies in the way that I have been applying parsing markup to clues. The markup rules that I have been using until now evolved bit-by-bit over a long period of time resulting in some degree of internal inconsistency.
hide explanation
Across
1a Prize-winning writer/’s/ novel got award at Rome (8,6)
{MARGARET ATWOOD}* — anagram (novel) of GOT AWARD AT ROME
Margaret Atwood[5] is a Canadian novelist, poet, critic, and short-story writer. Notable works: The Edible Woman (1969), The Handmaid's Tale (1985), Cat's Eye (1989), and The Blind Assassin (Booker Prize, 2000). She won the Giller Prize in 1996 for Alias Grace[7] and made the short list in 2003 for Oryx and Crake[7].
9a Categorized // album containing Seal’s “Crazy” (7)
C(LASSE*)D — CD (album) containing (†) anagram (crazy) of SEALS
Scratching the Surface
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Seal[7] is the professional name of British singer-songwriter Henry Olusegun Adeola Samuel who has sold over 20 million records worldwide, his first international hit being the song "Crazy", released in 1991. |
10a Sea mammal // figurine: Flipper in the sound (7)
{DOL|PHIN}~ — sounds like (in the sound) {DOLL (figurine) + FIN (flipper)}
Scratching the Surface
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Flipper[7] is an American feature film released in 1963. The film inspired the subsequent television series of the same name
(1964–1967) and several film sequels as well as a 1995 revival television series
and a 1996 remake of the film. (show more )
The film, based upon a story by Ricou Browning and Jack Cowden, portrays a 12-year-old boy living with his parents in the Florida Keys, who befriends an injured wild dolphin. The lad and his pet become inseparable, eventually overcoming the misgivings of his fisherman father. hide |
11a Writer/’s/ Chalice mirrored Crackpot (8,7)
{MORDECAI RICHLER}* — anagram (crackpot) of CHALICE MIRRORED
Mordecai Richler[5] (1931–2001) was a Canadian writer. His best-known novel is probably The Apprenticeship of Duddy Kravitz (1959). He won the Giller Prize in 1997 for Barney's Version[7].
12a Kingsley getting into Natalie/’s/ lingerie (8)
C(AMIS)OLE — AMIS (Kingsley; British novelist Sir Kingsley Amis[5]) contained in (getting into) COLE (Natalie; American singer Natalie Cole[7])
14a A northern Brit’s // neckwear (6)
A|SCOT|S — A (†) + SCOT (northern Brit) + S ('s)
17a Group of teams put together // about three miles (6)
LEAGUE — double definition
The league[2] is an obsolete unit of distance which can denote either:
- a unit for measuring distance travelled, usually taken to be 3 miles (about 4.8 km)
- a nautical measure equal to 1/20th of a degree or 3 international nautical miles (3.456 statute miles or 5.556 km)
19a Paul sets off // beats (8)
PULSATES* — anagram (off) of PAUL SETS
22a Writer // adapted Elijah at Macedon (7,8)
{MICHAEL ONDAATJE}* — anagram (adapted) of ELIJAH AT MACEDON
Michael Ondaatje[5] is a Sri Lankan-born Canadian writer. Notable works: Running in the Family (autobiography, 1982) and The English Patient (novel; Booker Prize, 1992). He won the Giller Prize in 2000 for Anil's Ghost[7] and made the short list twice, in 2007 for Divisadero[7] and in 2011 for The Cat's Table[7].
24a Go back and forth about mathematician’s constant // theft (7)
SWI(PI)NG — SWING (go back and forth) containing (about) PI (mathematician's constant)
25a Mischief-maker wraps up // looms (7)
IMP|ENDS — IMP (mischief maker) + ENDS (wraps up)
26a Stage Biddy,
Field, and Rooster /for/ writer (7,7)
STEP|HEN| LEA|COCK — STEP (stage) + HEN (biddy) + LEA (field) + (and) COCK (rooster)
Stephen Leacock[5] (1869–1949) was a Canadian humorist and economist. He is chiefly remembered for his many humorous short stories, parodies, and essays. Notable works: Sunshine Sketches of a Little Town (1912). Leacock never won the Giller Prize, having died 45 years before it was first awarded.
Down
2d Rearrange // a pick on hammer (7)
A|NAG|RAM — A (†) + NAG (pick on) + RAM (hammer)
After staring blankly at this one for far too long, I resorted to using a wordfinder program to match the checking letters.
3d Stare, taking in small // peninsula of Quebec (5)
GA(S)PE — GAPE (stare) containing (taking in) S (small; abbrev. found on clothing tags)
4d Mass meeting about help brought back // out from the hub (8)
RA(DIA<)LLY — RALLY (mass meeting) containing (about) reversal (brought back) of AID (help)
5d Royal family/’s/ heraldic gold covered with scattered dust (6)
{TUD(OR)S}* — OR (heraldic gold) contained in (covered with) anagram (scattered) of DUST
The House of Tudor[5] (the Tudors) was an English royal dynasty which held the throne from the accession of Henry VII in 1485 until the death of Elizabeth I in 1603.
6d Shows // tangled lace in trials (9)
TE(LECA*)STS — anagram (tangled) of LACE contained in (in) TESTS (trials)
7d Play // Old Testament greeting (7)
OT|HELLO — OT (Old Testament; abbrev.) + HELLO (greeting)
Othello[7] (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in 1603.
8d One who gives // name in entranceway (5)
DO(N)OR — N (name; abbrev.) contained in (in) DOOR (entranceway)
9d Amusing // column about flaky mineral (7)
CO(MICA)L — COL (column; abbrev.) containing (about) MICA (flaky mineral)
13d Easily disgusted // type’s back in town north of Vancouver (9)
SQU(E)AMISH — E (typE's back [final letter]) contained in (in) SQUAMISH (town north of Vancouver)
15d Resists reforming // members of the family (7)
SISTERS* — anagram (reforming) of RESISTS
16d Rambling in trek up // highway (8)
TURNPIKE* — anagram (rambling) of IN TREK UP
Turnpike[5] is a US term for a toll highway.
18d Vault I have /in/ store (7)
ARCH|IVE — ARCH (vault; architectural term) + IVE ([I've, a contraction of] I have)
20d Giant jerk nabbing one bronze (7)
T(I|TAN)IC — TIC (jerk) containing (nabbing) {I ([Roman numeral for] one) + TAN (bronze)}
21d Colours on // wine container (6)
FLAG|ON — FLAG (colours) + ON (†)
22d Boggy growth occupied by eastern prophet (5)
MOS(E)S — MOSS (boggy growth) containing (occupied by) E (eastern; abbrev.)
23d Something moulded // like short film (5)
AS|PIC — AS (like) + PIC (short film; shortened version of the word 'picture')
Epilogue
On a cold, blustery, and snowy Saturday, one could do far worse than curl up in front of the fire with a good book.Key to Reference Sources:Signing off for today — Falcon
[1] - The Chambers Dictionary, 11th Edition
[2] - Search Chambers - (Chambers 21st Century Dictionary)
[3] - TheFreeDictionary.com (American Heritage Dictionary)
[4] - TheFreeDictionary.com (Collins English Dictionary)
[5] - Oxford Dictionaries (Oxford Dictionary of English)
[6] - Oxford Dictionaries (Oxford American Dictionary)
[7] - Wikipedia
[8] - Reverso Online Dictionary (Collins French-English Dictionary)
[9] - Infoplease (Random House Unabridged Dictionary)
[10] - CollinsDictionary.com (Collins English Dictionary)
[11] - TheFreeDictionary.com (Random House Kernerman Webster's College Dictionary)
[12] - CollinsDictionary.com (Webster’s New World College Dictionary)
[13] - MacmillanDictionary.com (Macmillan Dictionary)
[14] - CollinsDictionary.com (COBUILD Advanced English Dictionary)
Good morning to all our devoted C&R fans! Really nice day today compared to all the miserable weather we had been getting in the GTA lately.
ReplyDeleteIt was nice to see all the Canadian authors in the puzzle today, the charade for 26a took a bit to decode but wasn't too difficult.
Last one in was 24a (nice misdirection there). Overall the puzzle was as easy as pie.
Henry
12 a threw me for a bit, as I was thinking of the actor, not the writer. 9a was a nice bit of misderection as well.
ReplyDeleteCant fully parse 13 d. A quick check of the map reaveals the answer, but I can't figure out where the extra vowel comes from.
Last in was 24a
A standard clue type is missing today. Take another run through the puzzle and see if you can figure it out.
Hi Chris! I was like you and didn't see where the 'E' came from in 13d. Lucky for us Falcon came through with the solution quickly today. (Thanks for the post and quick solution, Falcon!)
DeleteThe clue type that is missing is the hidden clue, beloved normally by C&H, as far as I can tell. If you are looking for a good hidden clue, yesterday's puzzle had
"Make headway in smooth rivers (6)" that will keep you going for a while.
Henry
Hello Falcon and all,
ReplyDeleteThank you, Falcon, for the information about the Giller Prize, unfamiliar to parochial me south of the border. This one was tough for me to crack into: I'm not good at longer anagrams (suitably, 2d was last in), and I had difficulty parsing quite a few of the others. Steady chip-chip-chipping away finally got me through. Favorite "didn't see it coming": 7d.
I think the Giller connection was likely coincidental. If C&R had really had that in mind, I think the puzzle would have appeared next weekend. However, the timing was too close to pass up -- especially as it gave me a chance for a play on the beer commercial in the title.
DeleteI really enjoyed this puzzle, especially 13-d (since I live in Squamish!)
ReplyDelete