Saturday, April 14, 2018

Saturday, April 14, 2018 — A Theme for All Seasons

Introduction

I started off today's puzzle from Cox & Rathvon at a gallop but progress soon slowed to a plod. Overall, I found the puzzle decidedly tricky, especially the southwest corner where my eraser was heavily used, having to make changes to entries at 14d, 17d and 18d.

I invite you to leave a comment to let us know how you fared with the puzzle.

Solution to Today's Puzzle

Falcon's Experience
┌────┬────┬────┬────┬────┬────┬────┐
███████████████████████████████████
└────┴────┴────┴────┴────┴────┴────┘
Legend:
- solved without assistance
- incorrect prior to use of puzzle solving tools
- solved with assistance from puzzle solving tools
- solved with aid of checking letters provided by puzzle solving tools
- solved but without fully parsing the clue
- yet to be solved

Click here for an explanation of conventions and symbols used in explaining the parsing of clues.

The purpose of this article is to explain the conventions and symbols that I use on this blog in explaining the parsing of clues.

Legend:

The following symbols are used in reviews:
  • "*" anagram
  • "~" sounds like
  • "<" indicates that the preceding letters are reversed
  • "( )" encloses contained letters
  • "_" replaces letters that have been deleted
  • "†" indicates that the word is present in the clue

The review of a clue takes the following general structure:

#a/d   Clue containing parsing markup (num*)

* num = numeration

Explanations pertaining to the wordplay (or first definition in a double definition)

(Horizontal separator)


Explanations pertaining to the definition (or second definition in a double definition) and solution.

Explanatory Box
An explanatory box provides additional information about the clue. In most cases this information will not necessarily help in solving the clue but provides information about the clue. In the case of the weekday syndicated Daily Telegraph puzzles, such information is often intended to help the North American solver appreciate how the clue may be perceived by a British solver. These boxes may also provide information on people, places, films, television programmes, works of art and literature, etc. mentioned in the clue.

Although the titles of these boxes will usually be drawn from a standard list, I do occasionally throw in a title specifically suggested by the subject at hand. The standard titles include:
  • Scratching the Surface - an explanation of the surface reading of the clue
  • Delving Deeper - in-depth information pertaining to a subject mentioned in an explanation
  • Behind the Picture - for weekday puzzles, information about an illustration found on Big Dave's Crossword Blog
  • What did he/she/they say? - for weekday puzzles, an explanation of a remark made in a review or comment on Big Dave's Crossword Blog
  • What are they talking about? - for weekday puzzles, an explanation of a discussion on Big Dave's Crossword Blog
One box that may provide information that could prove helpful in solving the clue is the following:
  • Here and There - for weekday puzzles, discusses words whose British meaning differs from their North American meaning

Note that there are many types of cryptic crossword clue and it is not my intention to exhaustively go through all of them here. I will only deal with clue types to the extent necessary to explain the conventions and symbols used on the blog. Furthermore, be aware that, in the world of cryptic crosswords, there seems to be an exception to every rule.

With one exception that I can think of, cryptic crossword clues provide two routes to the solution. These are commonly referred to as the definition and wordplay. While these terms serve well for most clues, there are some cases where the more formal terms of primary indication and subsidiary indication may be more appropriate.

Most cryptic crossword clues consist of a definition (primary indication) and wordplay (subsidiary indication). The definition may be a "precise definition" (a definition that is either taken straight from a dictionary or at least phrased in a non-misleading fashion) or it may be a "cryptic definition" (a definition misleadingly phrased so as to misdirect the solver either with respect to the meaning of the definition as a whole or to an incorrect sense of a word used in the definition).

The only type of clue that I can think of where there are not two ways of finding the solution are those in which the entire clue is a cryptic definition.
I identify precise definitions by marking them with a solid underline in the clue and cryptic definitions by marking them with a dotted underline.
In clues in which both definition and wordplay are present, the two parts of the clue combine to provide an overall meaningful statement (the surface reading) which usually bears no relationship to the underlying cryptic reading of the clue. In some cases, an extra word or phrase will be inserted into the clue to create a meaningful link between the definition and wordplay. I define clues which contain such a link word or link phrase as having an explicit link and clues which contain no link word or link phrase as having an implicit link.
I mark the existence of an explicit link by enclosing the link word or link phrase between forward slashes (/link/) and mark the existence of an implicit link with double forward slashes (//) positioned between the definition and wordplay.
Examples

A few examples may help to illustrate these points more clearly.

The first example is a clue used by Jay in DT 28573:

  • 4d   Fellow left work // a failure (4)
Here the definition is "a failure" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as F (fellow; abbrev.) + L (left; abbrev.) + OP (work; abbrev. used in music) which gives us the solution F|L|OP. The double forward slashes (//) between the definition and wordplay indicate the existence of an "implicit link" between the two parts of the clue (that is, no extra words are inserted into the clue to form the link).

The second example is a clue used by Giovanni in DT 28575:
  • 29a   Female going to match // travels with mother in advance (10)
Here the definition "female going to match" is cryptic (the setter is attempting to misdirect our thoughts to a sports event rather than a marriage ceremony) and thus is marked with a a dotted underline. The wordplay is {RIDES (travels) + (with) MA (mother)} contained in (in) BID (advance) giving us the solution B(RIDES|MA)ID. As in the first example, the double forward slashes indicate the presence of an implicit link.

The third example is a clue used by Rufus is DT 28583:
  • 18d   Knight caught by misplaced big blow /is/ staggering (8)
Here the definition is "staggering" which is marked with a solid underline to show that it is a precise definition. The wordplay parses as N ([chess symbol for] knight) contained in (caught in) an anagram (misplaced) of BIG BLOW producing the solution WOBBLI(N)G. Finally, forward slashes mark the link word (/is/).
I also use distinctive underlining to mark &lit.[7] and semi-&lit. clues. Note that the reviewers on Big Dave's Crossword Blog generally prefer to refer to these clue types by the less pretentious names of all-in-one or semi-all-in-one clues respectively.

In an &lit. clue[7] (or all-in-one clue) the entire clue provides not only the definition (when read one way), but under a different interpretation also serves as the wordplay.
In future, I will mark such clues with a combined solid and dashed underline. Although this is a departure from past practice, it would seem to make more sense than using a dotted underline as I have in the past). Henceforth, the dotted underline will be reserved for cryptic definitions.
In a semi-&lit. clue (or semi-all-in-one clue), either:
  • the entire clue acts as the definition while a portion of the clue provides the wordplay; or
  • the entire clue acts as the wordplay while a portion of the clue provides the definition.
For these clues, I will mark the definition with a solid underline and the wordplay with a  dashed underline. This means that a portion of the clue may have a solid underline, a portion of the clue may have a dashed underline and a portion of the clue may have a combined solid and dashed underline.
One final clue type is what I characterize as a cryptic definition comprised of a precise definition combined with cryptic elaboration. For example, in DT 28560 (setter unknown) the following clue appears:
  •  26d   Heroic exploit, whichever way you look at it (4)
As the entire clue is a cryptic definition, it is marked with a dotted underline. The 'precise definition' is "heroic exploit" and is indicated by a solid underline.

Given the numeration, the precise definition could give rise to at least two solutions, DEED or FEAT. However, the 'cryptic elaboration' ("whichever way you look at it") indicates that the solution is a palindrome thereby immediately eliminating one of the two obvious choices.

Note that the part of the clue that I have called 'cryptic elaboration' does not provide a second independent route to the solution (as the wordplay would do in most other types of clue). Rather it merely provides a piece of additional information (elaboration) related to the 'precise definition'.

Again, this approach is a departure from past practice, but like the other changes mentioned previously is intended to remove inconsistencies in the way that I have been applying parsing markup to clues. The markup rules that I have been using until now evolved bit-by-bit over a long period of time resulting in some degree of internal inconsistency.

hide explanation

Across

1a   The Four Seasons composer, // in revival, directs (7)

_VIVAL|DI_ — hidden in (in) reVIVAL DIrects

Antonio Vivaldi[5] (1678–1741) was an Italian composer and violinist, one of the most important baroque composers. His feeling for texture and melody is evident in his numerous compositions such as The Four Seasons (concerto, 1725).

5a   Wine shops // presage something entertaining (7)

BODE|GAS — BODE (presage) + GAS (something entertaining)

A bodega[5] is a cellar or shop selling wine and food, especially in a Spanish-speaking country or area.

9a   Question // contest held in rough winter (9)

INTER(VIE)W* — VIE (contest; verb) contained in (in) anagram (rough) of WINTER

10a   In speech, was brilliant // on display (5)

SHOWN~ — sounds like (in speech) SHONE (was brilliant)

This is the best explanation I could manage. However, as these two words sound nothing alike to me, I invite anyone with a better explanation to share it with us.

11a   Liberal at the back of facility /is/ art supporter (5)

EASE|L — L (Liberal; abbrev.) following (at the back of) EASE (facility)

12a   Emerging // elsewhere in season (9)

SPR(OUT)ING — OUT (elsewhere) contained in (in) SPRING (season)

13a   Legal breach: harm with a // Mexican wrap (8)

TORT|ILL|A — TORT (legal breach)+ ILL (harm) + A ()

15a   Region of Asia // began moving left (6)

BENGA*|L — anagram (moving) of BEGAN + L (left; abbrev.)

17a   Morning’s goal: reversing // atmospheric pollution (6)

{MIA|S|MA}< — reversal (reversing) of {AM (morning) + S ('s) + AIM (goal)}

19a   Construction material /and/ canvas next to copier (8)

TARP|APER — TARP (canvas) + (next to) APER (copier)

23a   Those who call up // Ontario in hot times of year (9)

SUMM(ON)ERS — ON (Ontario; postal abbrev.) contained in (in) SUMMERS (hot times)

24a   Narrow green // object (5)

THIN|G — THIN (narrow) + G (green; abbrev. found on RGB video connectors)

26a   Passage from awfully crazy // material (5)

_LY|CRA_ — hidden in (passage from) awfulLY CRAzy

27a   One-way // lane’s opening part of the year running east to west (9)

{NO|NMUTUA|L}< — reversal (east to west) of {L (lane's opening [letter]) + AUTUMN (part of the year) + ON (running; functioning)}

28a   “Legume” // beaten by a nose (7)

SOYBEAN* — anagram (beaten) of BY A NOSE

29a   Russian author // turned channel before play (7)

TOLS<|TOY — reversal (turned) of SLOT (channel) preceding (before) TOY (play; verb)

Count Leo Tolstoy[5] (1828–1910) was a Russian writer. He is best known for the novels War and Peace (1863-9), an epic tale of the Napoleonic invasion, and Anna Karenina (1873-7).*

* This is a surprising short dictionary entry for someone who wrote such excruciatingly long novels.

Down

1d   Restless natives // with the least humility (7)

VAINEST* — anagram (restless) of NATIVES

2d   New stove // choices (5)

VOTES* — anagram (new) of STOVE

3d   Behold note and garland /for/ enchanting woman (7)

LO|RE|LEI — LO (behold) + RE ([musical] note) + (and) LEI ([Hawaiian] garland)

Lorelei[5] is a siren said to live on the Lorelei rock, a rock on the bank of the Rhine. She is held by legend to lure boatmen to destruction with her enchanting song.

4d   Little louse appearing in acts as sprite, // per se (2,6)

I(N IT)S|ELF — NIT (little louse) contained in (appearing in) {IS (acts as) + ELF (sprite)}

5d   Polar explorer goes outside without // saying (6)

BY(WO)RD — BYRD (polar explorer) containing (goes outside) WO (without; abbrev.)

Richard Byrd[5] (1888–1957) was an American explorer, naval officer, and aviator. He claimed to have made the first aircraft flight over the North Pole (1926), although his actual course has been disputed. He was the first to fly over the South Pole (1929).

6d   Place taken by side changing // argument (7)

DIS(PUT)E* — PUT (place) contained in (taken by) anagram (changing) of SIDE

7d   Developing // collection includes arm (7,2)

GRO(WING) UP — GROUP (collection) containing (includes) WING (arm)

8d   African country/’s/ stamp bearing name, for example (7)

SE(N|EG)AL — SEAL (stamp) containing (bearing) {N (name; abbrev.) + EG (for example; abbrev.)}

14d   Province evasive about Conservative/’s/ original article (4,5)

REAL M|C(C)OY — REALM (province) + {COY (evasive) containing (about) C (Conservative; abbrev.)}

or

REAL M(C)COY — {REALM (province) + COY (evasive)} containing (about) C (Conservative; abbrev.)

My initial entry was REAL THING which turned out not to be the "right thing". Together with incorrect entries at 17d and 18d, this caused major grief in the southwest corner.

16d   Dog eating in // infant’s place (8)

BASS(IN)ET — BASSET (dog) containing (eating) IN ()

17d   Seafood said /to be/ source of strength (7)

MUSCLES~ — sounds like (said) MUSSELS (seafood)

I initially parsed this as:
  • Seafood // said to be source of strength (7)
giving the opposite result.

18d   Getting tied up, // sound like mad cows? (7)

MOO|RAGE — when split (3,4), the solution produces a rant from a herd of angry cattle

My first entry was MOORING which I "bunged in" planning to parse it later. I should learn not to write in words before having parsed them.

20d   Dog // bit migrant aboard tug (3,4)

P(IT B)ULL — anagram (migrant) of BIT contained in (aboard) PULL (tug)

21d   Count receiving girl // in a grand way (7)

RE(GAL)LY — RELY (count) containing (receiving) GAL (girl)

22d   Lowly worker, around noon, doubled /for/ ensign (6)

PE(N|N)ON — PEON (lowly worker) containing (around) {N (noon; abbrev.) + N (doubled)}

25d   Arctic people // sense losing the first time (5)

INUIT — IN[T]UIT (sense) deleting (losing) the initial occurrence (the first) of T (time; abbrev.)

Epilogue

The original title of today's review ("Not Quite the Real Thing") reflected my experience at 14d. However, I changed the title after MG pointed out the theme in her comment below.
Key to Reference Sources: 

[1]   - The Chambers Dictionary, 11th Edition
[2]   - Search Chambers - (Chambers 21st Century Dictionary)
[3]   - TheFreeDictionary.com (American Heritage Dictionary)
[4]   - TheFreeDictionary.com (Collins English Dictionary)
[5]   - Oxford Dictionaries (Oxford Dictionary of English)
[6]   - Oxford Dictionaries (Oxford American Dictionary)
[7]   - Wikipedia
[8]   - Reverso Online Dictionary (Collins French-English Dictionary)
[9]   - Infoplease (Random House Unabridged Dictionary)
[10] - CollinsDictionary.com (Collins English Dictionary)
[11] - TheFreeDictionary.com (Random House Kernerman Webster's College Dictionary)
[12] - CollinsDictionary.com (Webster’s New World College Dictionary)
[13] - MacmillanDictionary.com (Macmillan Dictionary)
[14] - CollinsDictionary.com (COBUILD Advanced English Dictionary)
Signing off for today — Falcon

12 comments:

  1. Trickier than last week’s puzzle. Especially liked 27a. Had to look up 22d and 5d.

    ReplyDelete
  2. Good morning,

    Tougher than usual I thought. I made the same mistake as Falcon at 17d but 26a saved me from the mistakes at 14d and 18d. Most difficult for me was 27a. Took me ages. Ice storm expected this aft in London. Think I'll stay in and put the fire on. Have a good weekend.

    Peter

    ReplyDelete
    Replies
    1. 27a was also effectively my last one in as well -- aside from 10a which I was avoiding writing in as I could not believe it was correct.

      Delete
  3. Good day Falcon and fine folk,
    I had a similar experience to Peter. The only way I got 27a was by considering the theme of the puzzle and then noticing that I was missing one of the seasons. 22d was my last one in.

    Keep warm everyone!
    Thanks for posting Falcon.
    Cheers,
    MG

    ReplyDelete
    Replies
    1. Until you mentioned it, I had totally missed the theme! Doh!

      Delete
  4. Welcome everyone to a truly miserable day! Even doing today's C&R didn't help much - it was not an easy one. My corner was the upper right. Like Falcon, I didn't like the more or less obvious answer, but I can't come up with anything better either. I toyed with the idea that the last two letters were "on" (i.e. given in the clue), and that the homonym a three letter word for 'was brilliant' or 'brilliant,' but couldn't make it coalesce.
    Totally missed the seasonal theme, by the way.
    Henry

    ReplyDelete
    Replies
    1. p,S. Falcon - there is no anagram in 3d.
      Henry

      Delete
    2. I have no idea where that star came from!

      Delete
    3. ... anyway, it has now been snuffed out.

      Delete

  5. This was considerably more challenging than the usual Saturday puzzle although like Falcon I started off at a gallop thinking it would be a quick solve. The south-east gave me the most trouble with 27A my last in. ***/**** for me.

    ReplyDelete
  6. Regarding “shone” and “shown”, they are homophones in American English. As the compilers are Americans the clue would work for them unlike those of us in Canada and Britain who use differing pronunciations for the two words.

    ReplyDelete
    Replies
    1. Whether the homophone works or not would presumably vary from one part of the US to another depending on regional accents.

      Just when I was learning to deal with British homophones, now I have to contend with Yankee ones!

      Delete

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